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Against Interpretation and Other Essays
Susan Sontag
Top 10 Best Quotes
“Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world - in order to set up a shadow world of 'meanings.' It is to turn the world into this world. ('This world'! As if there were any other.) The world, our world, is depleted, impoverished enough. Away with all duplicates of it, until we again experience more immediately what we have. ”
“The ideal or the dream would be to arrive at a language that heals as much as it separates.”
“It was from a weekly visit to the cinema that you learned (or tried to learn) how to strut, to smoke, to kiss, to fight, to grieve. Movies gave you tips about how to be attractive (...). But whatever you took home from the movies was only part of the larger experience of losing yourself in faces, in lives that were not yours - which is the more inclusive form of desire embodied in the movie experience. The strongest experience was simply to surrender to, to be transported by, what was on the screen”
“In place of a hermeneutics we need an erotics of art.”
“We live in a time in which tragedy is not an art form but a form of history.”
“The culture-heroes of our liberal bourgeois civilisation are anti-liberal and anti-bourgeois; they are writers who are repetitive, obsessive, and impolite, who impress by force - not simply by their tone of personal authority and by their intellectual ardor, but by the sense of acute personal and intellectual extremity. The bigots, the hysterics, the destroyers of the self - these are the writers who bear witness to the fearful polite time in which we live. Mostly it is a matter of tone: it is hardly possible to give credence to ideas uttered in the impersonal tones of sanity.”
“The best criticism, and it is uncommon, is of this sort that dissolves considerations of content into those of form.”
“None of us can ever retrieve that innocence before all theory when art knew no need to justify itself, when one did not ask of a work of art what it said because one knew what it did. From now to the end of consciousness, we are stuck with the task of defending art.”
“In good films, there is always a directness that entirely frees us from the itch to interpret.”
“For the modern consciousness, the artist (replacing the saint) is the exemplary sufferer.”
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Book Keywords:
content, cinemaphilia, form, interpretation, a-century-of-cinema, art, criticism