Let the Right One In
John Ajvide Lindqvist
Top 10 Best Quotes
“Real love is to offer your life at the feet of another.”
“Are you OLD?" "No. I'm only twelve. But I've been that for a long time.”
“There was no one to be seen so she gave in freely to her sobs as she made her way home, pressed her arms against her stomach; the pain lodged in there like an ill-tempered foetus. Let a person in and he hurts you. There was a reason why she kept her relationships brief. Don't let them in. Once they're inside they have more potential to hurt you. Comfort yourself. You can live with the anguish as long as it only involves yourself. As long as there is no hope.”
“Closed his mouth. Then pressed a kiss on Oskar's lips. For a few seconds Oskar saw through Eli's eyes. And what he saw was... himself. Only much better, more handsome, stronger than what he thought of himself. Seen with love.”
“Keep your relationships brief. Don’t let them in. Once they’re inside they have more potential to hurt you. Comfort yourself. You can live with the anguish as long as it only involves yourself. As long as there is no hope.”
“-there was something in her, something that was...pure horror. Everything you were supposed to watch out for. Heights, fire, shards of glass, snakes, Everything that his mom tried so hard to keep him safe from.”
“He had put his hand up in class, a declaration of existence, a claim that he knew something. And that was forbidden to him. They could give a number of reasons for why they had to torment him; he was too fat, too ugly, too disgusting. But the real problem was simply that he existed, and every reminder of his existence was a crime.”
“What he was scared of was not that maybe she was a creature who survived by drinking other people's blood. No, it was that she might push him away.”
“Which monster do you choose?”
“No respect for beauty – that was characteristic of today’s society. The works of the great masters were at most employed as ironic references, or used in advertising. Michelangelo’s ‘The Creation of Adam’, where you see a pair of jeans in place of the spark. The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite, touched. There was a space between them a millimetre or so wide. And in this space – life. The sculptural size and richness of detail of this picture was simply a frame, a backdrop, to emphasise the crucial void in its centre. The point of emptiness that contained everything. And in its place a person had superimposed a pair of jeans.”
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Book Keywords:
fiction, love, fear, intimacy, pain, relationships, john-ajvide-lindqvist, horror, bullying, art, hurt, let-the-right-one-in
