Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.
Jeff Tweedy
Top 10 Best Quotes
“I like to believe most people's natural state is to be creative. It definitely was when we were kids, when being spontaneously and joyfully creative was just our default setting. As we grow we learn to evaluate and judge, to navigate the world with some discretion, and then we turn on ourselves. Creating can't just be for the sake of creating anymore. It has to be good, or it has to mean something. We get scared out of our wits by the possibility of someone rejecting our creation.”
“Learning how to play guitar is the one thing I always look back on with wonderment. I’m reminded of “What ifs?” every time I pick up a guitar. Where would I be? I have sort of a survivor’s guilt about it that makes me want it for everyone. Not the “guitar” exactly, but something like it for everybody. Something that would love them back the more they love it. Something that would remind them of how far they’ve come and provide clear evidence that the future is always unfolding toward some small treasure worth waiting for. At the very least, I wish everyone had a way to kill time without hurting anyone, including themselves. That’s what I wish. That’s what the guitar became for me that summer and is to me still.”
“I think that may be the highest purpose of any work of art, to inspire someone else to save themselves through art. Creating creates creators.”
“If there’s one thing that’s 100 percent true about every intoxicated person in world history, it’s that you shouldn’t believe them when they say they love you. The only difference between you and that slice of cold pizza back at their apartment is that they haven’t met the pizza yet.”
“The Chicago historian Studs Terkel asked Bob Dylan in the sixties about how he went about writing a song and trying to outdo himself, or at least being as good as the last song he wrote, and his response was pretty damn perfect. “I’m content with the same old piece of wood,” he said. “I just want to find another place to pound a nail . . . Music, my writing, is something special, not sacred.” If the songs Bob Dylan wrote aren’t sacred, then nobody’s songs are sacred. Nobody’s. No one has ever laid on their deathbed thinking, “Thank god I didn’t make that song. Thank god I didn’t make that piece of art. Thank god I avoided the embarrassment of putting a bad poem into the world.” Nobody reaches the end of their life and regrets even a single moment of creating something, no matter how shitty or unappreciated that something might have been. I’m writing this just weeks after returning from Belleville, where I sat next to my dad’s bed in my childhood house and watched him die. I can guarantee you that in the final moments of his life, he wasn’t kicking himself for all those times when he dared to make a fool of himself by singing too loud.”
“Music is most magical when everyone can lose the burden of self and be put back together as a part of something bigger, or other. I think of it as egos blending, singer into musician into listener. Something like that feels right to me. Anyway, it’s something worth aiming for.”
“And I would guess there’s a lot more similarity in how we suffer than the way we experience joy. Rejection stays with you, but I don’t think people register it when they’re happy. They don’t say, “I need to remember what this feels like.” It just goes by, and it’s perfect and awesome, and you feel grateful that you get to experience even a fleeting moment of pure, unbridled, unsarcastic bliss. But when we experience pain or trauma, we’re acutely aware that something is wrong. You want answers. “What is this? How do I get rid of this? Why is this happening to me? I don’t want this.” That’s why so much art, and music, in particular, becomes a great commiserating balm for pain. Joy doesn’t need to be audited. We’re just grateful to have had it at all. But pain, goddammit, we demand to know Who’s responsible for this?”
“search for “Rich Kelly & Friendship” and “I’d Like to Teach the World to Sing.” Then watch it. In its entirety. But if you’re in a hurry, fast-forward to the 1:35 mark, when the bassist breaks into a happy foot solo.”
“But when we experience pain or trauma, we’re acutely aware that something is wrong. You want answers. “What is this? How do I get rid of this? Why is this happening to me? I don’t want this.” That’s why so much art, and music, in particular, becomes a great commiserating balm for pain. Joy doesn’t need to be audited. We’re just grateful to have had it at all. But pain, goddammit, we demand to know Who’s responsible for this?”
“There's an amazing opportunity that so few people ever have in their lives to fulfill a wish for somebody. It's so rare that such a simple act, like playing a song someone loves, can make someone so happy. If you have that opportunity—the power to do that for anyone—that's an incredible gift.”
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Book Keywords:
philosophy, regrets, music, art
