The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made
Greg Sestero
Top 10 Best Quotes
“The Room is a drama that is also a comedy that is also an existential cry for help that is finally a testament to human endurance.”
“The only casting directors who’d be willing to call Tommy in on the basis of this headshot were the ones curious about what it was like to be murdered.”
“In the love scene’s final shot, Johnny gets out of bed and walks bare-assed to the bathroom. Tommy thought long and hard about his decision to show his ass. “I need to do it,” he told me. “I have to show my ass or this movie won’t sell.”
“Mark responds to Peter’s accusation with an uncharacteristically abrupt burst of anger and tries to throw Peter off the roof. Then Mark immediately apologizes to Peter for trying to kill him, and Peter lets it slide. It’s probably the most swiftly forgiven attempted murder in the history of film.”
“Dan had some questions about Chris-R. We all did. Why the name “Chris-R,” for instance? What’s with that hyphen? Tommy’s explanation: “He is gangster.” What about this drug business, which never comes up either before or after Chris-R’s only scene in the film? “We have big problem in society with the drugs.”
“I was a tall, sandy-blond Northern California kid. Tommy, meanwhile, appeared to have been grown somewhere dark and moist.”
“With that, Tommy went off to do his seagull thing elsewhere on set—making a lot of irritating noise while simultaneously shitting on everyone.”
“What I was sure of was that Tommy had something I'd never seen in anyone else: a blind and unhinged and totally unfounded ambition. He was so out of touch, so lacking in self-awareness, yet also wildly captivating. That night there was this aura around Tommy- an aura of the possible.”
“Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn’t until the last weekend of the film’s short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.”
“Tommy removed his sunglasses and glanced back at me. He had tears in his eyes. He smiled, nodded, and turned toward the screen. It wasn’t often that you got to see a man whose dream was literally about to come true, but then the lights went down, and I couldn’t see him anymore.”
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Book Keywords:
tommy-wiseau, possibilty, ambition, disaster-artist
