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V.

Thomas Pynchon

Top 10 Best Quotes

“Life's single lesson: that there is more accident to it than a man can ever admit to in a lifetime and stay sane.”

“I am the twentieth century. I am the ragtime and the tango; sans-serif, clean geometry. I am the virgin's-hair whip and the cunningly detailed shackles of decadent passion. I am every lonely railway station in every capital of Europe. I am the Street, the fanciless buildings of government. the cafe-dansant, the clockwork figure, the jazz saxophone, the tourist-lady's hairpiece, the fairy's rubber breasts, the travelling clock which always tells the wrong time and chimes in different keys. I am the dead palm tree, the Negro's dancing pumps, the dried fountain after tourist season. I am all the appurtenances of night.”

“Love with your mouth shut, help without breaking your ass or publicizing it: keep cool, but care.”

“Losing faith is a complicated business and takes time. There are no epiphanies, no "moments of truth." It takes much thought and concentration in the later phases, which thenselves come about through an accumulation of small accidents: examples of general injustice, misfortune falling upon the godly, prayers of one's own unanswered.”

“He decided that we suffer from great temporal homesickness for the decade we were born in.”

“To have humanism we must first be convinced of our humanity. As we move further into decadence this becomes more difficult.”

“Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.”

“Some of us are afraid of dying; others of human loneliness. Profane was afraid of land or seascapes like this, where nothing else lived but himself.”

“It takes, unhappily, no more than a desk and writing supplies to turn any room into a confessional.”

“You wait. Everyone has an Antarctic.”

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Book Keywords:

homesickness, nostalgia, inspirational, happenstance

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