Bitch: In Praise of Difficult Women
Elizabeth Wurtzel
Top 10 Best Quotes
“I intend to scream, shout, race the engine, call when I feel like it, throw tantrums in Bloomingdale's if I feel like it and confess intimate details about my life to complete strangers. I intend to do what I want to do and be whom I want to be and answer only to myself: that is, quite simply, the bitch philosophy...”
“Bitch: In praise of difficult women.”
“I think, quite frankly, that the world simply does not care for the complicated girls, the ones who seem too dark, too deep, too vibrant, too opinionated, the ones who are so intriguing that new men fall in love with them every day, at every meal where there's a waiter, in every taxi and on every train they board, in any instance where someone can get to know them just a little bit, just enough to get completely gone. But most men in the end don't quite have the stomach for that much person.”
“So to hell with dignity. Dignity has got nothing on Rita Hayworth singing “Put the Blame on Mame” in Gilda, and absolutely nothing on Mae West in anything. It seems far more exciting to be a Siren beckoning with her song or Calypso captivating on her island than to be Penelope, the archetype of female fidelity, weaving and unweaving at her loom, sending her suitors away, waiting for the errant Odysseus to return, waiting while he luxuriates in lotusland, waiting while, as one correspondent to The New York Times Book Review put it, he “commits adultery with various gorgeous, high-class women,” waiting for her husband like Lucy waits for Desi at the end of the day, or Alice waits for Ralph at the end of the night. Bad girls don’t wait around—one doesn’t get to go everywhere by sitting by the phone.”
“Good and bad are not opposites, they are both just different forms of intensity.”
“Because, frankly, I have a tough time feeling that feminism has done a damn bit of good if I can't be the way I am and have the world accommodate it on some level.”
“After all, as it says on a needlepoint sampler or throw pillow or the occasional bumper sticker: Good girls go to heaven, but bad girls go everywhere. In high heels. Or mules by Manolo Blahnik, the strappy, tangly kind that give you blisters. And when their feet start to hurt, they bitch about it a lot, until someone agrees to carry them home. Bad girls understand that there is no point in being good and suffering in silence. What good has good ever done? We women still only make seventy-one cents, on average, for every man's dollar. We still have to listen to studies telling us that a single woman over the age of 35 had best avoid airplanes because she is more likely to die in a terrorist attack than get married.”
“I don't think it's really about being bitchy or demanding or cold or calculating: those characteristics, after all, can be attached to most women with even the paltriest of evidence. I think, quite frankly, that the world simply does not care for the complicated girls, the ones who seem too dark, too deep, too vibrant, too opinionated...”
“People surrender to love—they do it reluctantly and with trepidation, but when they give in it is sweet surrender as well as sweet victory. It is part of life, that potential hurt, that fearsome thrill, but women don’t seem to have nearly as hard a time with it. In the end, in the final tally, who knows who has brought the other down more or the most—we only know that this is life’s rich pageant, and we all have to take responsibility for our own feelings, for wishing to succumb and letting it happen. It is degrading to put the blame on Mame or anyone else for the chances we all take freely. One”
“Bad girls understand that there is no point in being good and suffering in silence. What good has good ever done?”
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Book Keywords:
women, girls, bitch, intensity, good-and-evil, relationships, gender-equality, feminism, woman
