The Beauty of the Infinite: The Aesthetics of Christian Truth
David Bentley Hart
Top 10 Best Quotes
“God's pleasure--the beauty creation possesses in his regard--underlies the distinct being of creation, and so beauty is the first and truest word concerning all that appears within being; beauty is the showing of what is; God looked upon what he had wrought and saw that it was good.”
“[O]nly if the form of Christ can be lived out in the community of the church is the confession of the church true; only if Christ can be practiced is Jesus Lord. No matter how often the subsequent history of the church belied this confession, it is this presence within time of an eschatological and dvine peace, really incarnate in the person of Jesus and forever imparted to the body of Christ by the power of the Holy Spirit, that remains the very essence of the church's evangelical appeal to the world at large, and of the salvation it proclaims. (1-2)”
“God's love, and hence the love with which we come to love God, is eros and agape at once: a desire for the other that delights in the distance of otherness.”
“Christ is a persuasion, a form evoking desire, and the whole force of the gospel depends upon the assumption that this persuasion is also peace: that the desire awakened by the shape of Christ and his church is one truly reborn as agape, rather than merely the way in which a lesser force succumbs to a greater, as an episode in the endless epic of power. (3)”
“For if indeed God became a man, then Truth condescended to become a truth, from whose historical contingency one cannot simply pass to categories of universal rationality; and this means that whatever Christians mean when they speak of truth, it cannot involve simply the dialectical wresting of abstract principles from intractable facts. One”
“The truth of no truths becomes, inevitably, truth: a way of naming being, language, and culture that guards the boundaries of thought against claims it has not validated.”
“For if indeed God became a man, then Truth condescended to became a truth, from whose historical contingency one cannot simply pass to categories of universal rationality; and this means that whatever Christians mean when they speak of truth, it cannot involve simply the dialectical wrestling of abstract principles from intractable facts. (5)”
“But desire must also be cultivated; the beautiful does not always immediately commend itself to every taste; Christ's beauty, like that of Isaiah's suffering servant, is not expressed in vacuous comeliness or shadowless glamor, but calls for a love that is charitable, that is not dismayed by distance or mystery, and that can repent of its failure to see; this is to acquire what Augustine calls a taste for the beauty of God (Soliloquia 1.3-14). Once this taste is learned, divine beauty, as Gregory of Nyssa says, inflames desire, drawing one on into an endless epektasis, a stretching out toward an ever greater embrace of divine glory. And,”
“Lyotard has described the postmodern condition succinctly as "incredulity towards metanarratives":' an attitude commendable in itself, no doubt, but also one that can easily be translated into a dogmatic metanarrative of its own. In”
“The soul is a story that can always be retold.”
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Book Keywords:
christianity, theology, philosophy, aesthetics, eastern-orthodox
