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The Abundance: Narrative Essays Old and New

Annie Dillard

Top 10 Best Quotes

“This is how you spend this afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can't take it with you.”

“Why do you never find anything written about that idiosyncratic thought you advert to, about your fascination with something no one else understands? Because it is up to you. There is something you find interesting, for a reason hard to explain because you have never read it on any page; there you begin. You were made and set here to give voice to this, your own astonishment.”

“Similarly, the impulse to keep to yourself what you have learned is not only shameful; it is destructive. Anything you do not give freely and abundantly becomes lost to you.”

“Since everyone around you agrees ever since there were people on earth that land is value, or labor is value, or learning is value, or title, degree, necklaces, murex shells, the ownership of slaves. Everyone knows bees sting and ghosts haunt and giving your robes away humiliates your rivals. That the enemies are barbarians. That wise men swim through the rock of the earth; that houses breed filth, airstrips attract airplanes, tornadoes punish, ancestors watch, and you can buy a shorter stay in purgatory. The black rock is holy, or the scroll; or the pangolin is holy, the quetzal is holy, this tree, water, rock, stone, cow, cross, or mountain--and it's all true. The Red Sox. Or nothing at all is holy, as everyone intelligent knows.”

“You do not have to sit outside in the dark. If, however, you want to look at the stars, you will find that darkness is necessary. But the stars themselves neither require nor demand it.”

“You adapt yourself, Paul Klee said, to the contents of the paintbox. Adapting yourself to the contents of the paintbox, he said, is more important than nature and its study. The painter, in other words, does not fit the paints to the world. He most certainly does not fit the world to himself. He fits himself to the paint. The self is the servant who bears the paintbox and its inherited contents.”

“Divinity is not playful. The universe was not made in jest but in solemn, incomprehensible earnest. By a power that is unfathomably secret, and holy, and fleet. There is nothing to be done about it, but ignore it, or see. And then you walk fearlessly, eating what you must, growing wherever you can, like the monk on the road who knows precisely how vulnerable he is, who takes no comfort among death-forgetting men, and who carries his vision of vastness and might around in his tunic like a live coal which neither burns nor warms him, but with which he will not part.”

“Why are we reading, if not in hope of beauty laid bare, life heightened, and its deepest mystery probed?”

“What limpid lakes and cool date palms may our caravans have passed untried? Until, one by one, by the blindest of leaps, we light on the road to these places, we must stumble in darkness and hunger.”

“WE TEACH OUR CHILDREN one thing only, as we were taught: to wake up. We teach our children to look alive there, to join by words and activities the life of human culture on the planet’s crust. As adults we are almost all adept at waking up. We have so mastered the transition we forgot we ever learned it. Yet it is a transition we make a hundred times a day, as, like so many will-less dolphins, we plunge and surface, lapse and emerge. We live half our waking lives and all of our sleeping lives in some private, useless, and insensible waters we never mention or recall. Useless, I say. Valueless, I might add—until someone hauls their wealth up to the surface and into the wide-awake city, in a form that people can use.”

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Book Keywords:

writing, writing-craft, living-life-to-the-fullest, culture, living-in-the-present, writing-inspiration, time-passing, time, common-knowledge

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