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Finding a Form

William H. Gass

Top 10 Best Quotes

“If the relation of morality to art were based simply on the demand that art be concerned with values, then almost every author should satisfy it even if he wrote with his prick while asleep. (Puritans will object to the language in that sentence, and feminists to the organ, and neither will admire or even notice how it was phrased.)”

“But if your language is intended to be the medium of an art; if you, its user, are an artist and not a reporter, a persuader, a raconteur; if you aren't writing principally to get praise or pay, but wish to avoid the busy avenues of entertainment, to traffic in the tragic maybe, dig down to the deeply serious; then (although there are a few exceptional and contrary cases) you will understand right away how blessed you are by the language you were born with, the language you began to amster in the moment you also started to learn about life, to read the lines on faces, the light in the window which meant milk, the door which deprived you of mother, the half-songs sung by that someone who lonaed you the breast you suckled - the breast you claimed as more than kin.”

“The hurt heart heals, but the healed heart still hurts. -- From "Exile" in Finding a Form”

“Simplicity is not a given. It is an achievement, a human invention, a discovery, a beloved belief.”

“Normally, we are supposed to say farewell to the page even as we look, to see past the cut of the type, hear beyond the shape of the sound, feel more than the heft of the book, to hear the bird sing whose name has been invoked, and think of love being made through the length of the night if the bird's name is nightingale; but when the book itself has the beauty of the bird, and the words do their own singing; when the token is treated as if it, not some divine intention, was holy and had power; when the bird itself is figured in the margins as though that whiteness were a moon-bleached bough and the nearby type the leaves it trembles; and when indigo turbans or vermilion feathers are, with jasmines, pictured so perfectly that touch falls in love with the finger, eyes light, and nostrils flare; when illustrations refuse to illustrate but instead suggest the inside of the reader's head, where a consciousness is being constructed; then the nature of the simple sign is being vigorously denied, and the scene or line or brief rendition is being treated like a thing itself, returning the attention to its qualities and composition. -- From "The Book As a Container of Consciousness”

“My stories are malevolently anti-narrative, and my essays are maliciously anti-expository, but the ideology of my opposition arrived long after my antagonism had become a trait of character." --

“But if your language is intended to be the medium of an art if you, its user, are an artist and not a reporter, a persuader, a raconteur; if you aren't writing principally to get praise or pay, but wish to avoid the busy avenues of entertainment, to traffic in the tragic maybe, dig down to the deeply serious; then (although there are a few exceptional and contrary cases) you will understand right away how blessed you are by the language you were born with, the language you began to amster in the moment you also started to learn about life, to read the lines on faces, the light in the window which meant milk, the door which deprived you of mother, the half-songs sung by that someone who lonaed you the breast you suckled - the breast you claimed as more than kin.”

“There are few vocations (like the practice of poetry or the profession of philosophy) that are so uncalled for by the world, so unremunerative by ordinary standards, so inherently difficult, so undefined, that to chose them suggests that more lies behind the choice than a little encouraging talent and a few romantic ideals. To persevere in such a severe and unrewarding course requires the mobilization of the entire personality--each weakness as well as every strength, each quirk as well as every normality. For any one of the reasons that a philosopher offers to support the principle he has taken in to feed and fatten, there will be in action alongside it, sometimes in the shade of the great notion itself, coarse and brutal causes in frequently stunning numbers, causes with a notable lack of altruism and nobility, causes with shameful aims and antecedents. This has to be understood and accepted. Valery's belief that every philosophy is an important piece of its author's autobiography need not be rejected as reductive; for whatever the subliminal causes and their kind are like, the principle put forth must stand and defend itself like a tree against the wind; it must make its own way out into who knows what other fields of intelligence, to fall or flourish there. -- From "At Death's Door: Wittgenstein”

“There are a few vocations (like the practice of poetry or the profession of philosophy) that are so uncalled for by the world, so unremunerative by ordinary standards, so inherently difficult, so undefined, that to chose them suggests that more lies behind the choice than a little encouraging talent and a few romantic ideals. To persevere in such a severe and unrewarding course requires the mobilization of the entire personality--each weakness as well as every strength, each quirk as well as every normality. For any one of the reasons that a philosopher offers to support the principle he has taken in to feed and fatten, there will be in action alongside it, sometimes in the shade of the great notion itself, coarse and brutal causes in frequently stunning numbers, causes with a notable lack of altruism and nobility, causes with shameful aims and antecedents. This has to be understood and accepted. Valery's belief that every philosophy is an important piece of its author's autobiography need not be rejected as reductive; for whatever the subliminal causes and their kind are like, the principle put forth must stand and defend itself like a tree against the wind; it must make its own way out into who knows what other fields of intelligence, to fall or flourish there. -- From "At Death's Door: Wittgenstein”

“The mind's well-being was the well that was poisoned. One doesn't own a little anti-Semitism as if it were a puppy that isn't big enough yet to poop a lot. One yap from the pooch is already too much. Nor is saying "it was only social" a successful excuse. Only social, indeed ... only a mild case. The mild climate renders shirt-sleeves acceptable, loosens ties and collars, allows extremes to seem means, makes nakedness normal, facilitates the growth of weeds. Since the true causes of anti-Semitism do not lie with the Jews themselves (for if they did, anti-Semitism might bear some semblance of reason), they must lie elsewhere--so, if not in the hated, then in the hater, in another mode of misery. Rationalist philosophers, from the beginning, regarded ignorance and error as the central sources of evil, and the conditions of contemporary life have certainly given their view considerable support. We are as responsible for our beliefs as for our behavior. Indeed, they are usually linked. Our brains respond, as well as our bodies do, to exercise and good diet. One can think of hundreds of beliefs--religious, political, social--which must be as bad for the head as fat is for the heart, and whose loss would lighten and enliven the spirit; but inherently silly ones, like transubstantiation, nowadays keep their consequences in control and relatively close to home. However, anti-Semitism does not; it is an unmitigated moral catastrophe. One can easily imagine how it might contaminate other areas of one's mental system. But is it the sickness or a symptom of a different disease? Humphrey Carpenter's level headed tone does not countenance Pound's corruption. It simply places the problem before us, permitting out anger and our pity. -- From "Ezra Pound”

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Book Keywords:

exile, philosophy, literary-theory, writing, william-h-gass, healing, writers-on-writing, ezra-pound, essays, anti-semitism, finding-a-form, literary-criticism, criticism

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