“NIGEL. Alright, Comrade Semyenov. Make your case. What, in your "expert" opinion, makes this manuscript a fraud? IGOR. I could give you any number of reasons, from the red being wrong to the paper being too thin. Or point out the fact that no one would sell a Rembrandt the size of that wall before a scrap of manuscript no bigger than this. But perhaps most compelling is that it is almost midnight and I am just as eager as anyone else to get out of this place, and I would not throw away such an opportunity just to start an argument about counterfeits with you! NIGEL. Very well. You've convinced me.”