How to Write a Damn Good Novel: A Step-by-Step No Nonsense Guide to Dramatic Storytelling
James N. Frey
Top 10 Best Quotes
“Writer's block is real. It happens. Some days you sit down at the old typewriter, put your fingers on the keys, and nothing pops into your head. Blanko. Nada. El nothingissimo. What you do when this happens is what separates you from the one-of-thesedays- I'm-gonna-write-a-book crowd.”
“To set a forest on fire, you light a match. To set a character on fire, you put him in conflict.”
“Fiction can be more real to the reader than reality itself because fiction is the essence of life”
“It has been said that Ernest Hemingway would rewrite scenes until they pleased him, often thirty or forty times. Hemingway, critics claimed, was a genius. Was it his genius that drove him to work hard, or was it hard work that resulted in works of genius?”
“For some it is harder to write a novel than to row a bathtub across the North Atlantic.”
“You can kill the spell of identification just as easily as you can create it—if you lose the readers' sympathy for the character. You can lose reader sympathy by having your character commit acts of cruelty to another character with whom the readers identify more strongly or for whom they have strong sympathy. You can lose reader sympathy by having the character make dumb choices—acting at less than maximum capacity. The idiot in the horror story who responds to creepy noises by going into the attic armed only with a candle is an example. You can lose reader sympathy when a character seems too ordinary, is stereotyped, or doesn't struggle hard enough. The reader wants to cheer a fighter, not witness a milquetoast wallowing in, say, selfpity.”
“Readers find most flashbacks intolerable. Yet a lot of neophyte writers flash back like mad. Why? No one but the Creator of the Universe knows for sure, but there is a likely answer: they find the conflicts in the "now" of the story produce anxiety in themselves.”
“Novel writing is like heroin addiction; it takes everything you've got.”
“Before you go ahead with a flashback, ask yourself if you can make the same impact on your reader through conflict in the now of the novel. If the answer is no, then the flashback is necessary, but remember that within the flashback all the same principles of good dramatic storytelling which apply in the now of your story—fully rounded characters, a rising conflict, inner conflicts, and so on—continue to apply.”
“A story is a narrative of consequential events involving worthy human characters who change as a result of those events. THE”
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