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No-No Boy

John Okada

Top 10 Best Quotes

“There is a period between each night and day when one dies for a few hours, neither dreaming nor thinking nor tossing nor hating nor loving, but dying for a little while because life progresses in just such a way.”

“...Love is not something you save and hoard. You're born with it and you spend it when you have to and there's always more because you're a woman and there's always suffering and pain and gentleness and sadness to make it grow.”

“This is the way it ought to be, he thought to himself, to be able to dance with a girl you like and really get a kick out of it because everything’ on an even keel and one’s worries are of the usual ones of unpaid bills and sickness in the family and being late to work too often. Wh can’t it be that way for me? Nobody’s looking twice at us. Nobody’s asking me where I was during the war or what the hell I am doing back on the coast. There’s no trouble to be had without looking for it. Everything’s the same, just as it used to be. No bad feelings except for those that have always been and probably always will. It’s a matter of attitude. Mine needs changing. I’ve got to love the world the way I used to. I’ve got to love it and the people so I’ll feel good, and feeling good will make life worthwhile. There’s no point in crying about what’s done. There’s a place for me and Emi and Freddie here on the dance floor and out there in the hustle of things if we’ll let it be that way. I’ve been fighting it and hating it and letting my bitterness against myself and Ma and Pa and even Taro throw the whole universe out of perspective. I want only to go on living and be happy. I’ve only to let myself do so.”

“only in fiction can the hopes and fears and joys and sorrows of people be adequately recorded.”

“they don't know that the outside could be the inside if only they would stop all this pushing and shoving and screaming, and they haven't got enough sense to realize that.”

“joys and sorrows of people be adequately recorded.” I love this, and I agree with it completely. It points to the truth that the historical record is more than just facts. The dense emotional textures of a time, the layered, nuanced feelings of an age, these are the vital bits of information that drop quickly away. Only fiction has the power to ask the questions that bring the past to life and to record it in all its vibrant confusion and complexity. You have done that,

“What had happened to him and the others who faced a judged and said: "You can't make me go in the army because I'm not American, or you wouldn't have plucked me and mine from a life that was good and real and meaningful and fenced me in the desert like they do the Jews in Germany and it is a puzzle why you haven't started to liquidate us though you might as well since everything else has been destroyed." And some said: "You, Mr. Judge, who supposedly represent justice, was it just a thing to ruin a hundred thousand lives and homes and farms and businesses and dreams and hopes because the hundred thousand were a hundred thousand Japanese when Japan is the country you're fighting and, if so, how about the Germans and Italians that must be just as questionable as the Japanese or we wouldn't be fighting Germany and Italy? Round them up. Take away their homes and cars and beer and spaguetti and throw them in a camp, and what do you think they'll say when you try to draft them into your army of the country that is for life, liberty and the pursuit of happiness?”

“Let 'em talk. They got nothin' else to live for.”

“It was good, the years I rotted in prison. I got the lead out of my ass and the talk out of my system. I died in prison. And when I came back to life, all that really mattered for me was to make a painting. I came home and said hello to the family and tried to talk to them, but there was nothing to talk about. I didn't stay. I found a room, next to the sky, a big, draft attic atop a dilapidated mansion full of boarders who mind their own business. Old friends are now strangers. I've no one to talk to and no desire to talk, for I have nothing to say except what comes out of my paint tubes and brushes. During the day, I paint for my keep. At night, I paint for myself. The picture I want is inside of me. I'm groping for it and it gives me peace and satisfaction. For me, the cup is overflowing.”

“His protestations went unheeded, for they were gathered to attend a funeral and one was expected to say the right things.”

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Book Keywords:

shame, nissei, race-and-racism-in-america, japan, acceptance, creativity, japanese-american, war, funeral, issei, injustice, guilt, painting, tradition, art, forgiveness, race, expectations

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