Deep Creek: Finding Hope in the High Country
Pam Houston
Top 10 Best Quotes
“Somewhere in the process I started writing toward an answer to the question I wake up with every morning and go to bed with every night. How do I find hope on a dying planet, and if there is no hope to be found, how do I live in its absence? In what state of being? Respect? Tenderness? Unmitigated love? The rich and sometimes deeply clarifying dreamscape of vast inconsolable grief?”
“It's hard for anybody to put their finger on the moment when life changes from being something that is nearly all in front of you to something that happened while your attention was elsewhere.”
“How do we become who we are in the world? We ask the world to teach us. But we have to ask with an open heart, with no idea what the answer will be.”
“How will we sing when Miami goes underwater, when the raft of garbage in the ocean gets as big as Texas, when the only remaining polar bear draws his last breath, when fracking, when Keystone, when Pruitt? I don’t know. And I imagine, sometimes, often, we will get it wrong. But I’m not celebrating the earth because I am an optimist—though I am an optimist. I am celebrating because this magnificent rock we live on demands celebration. I am celebrating because how in the face of this earth could I not?”
“The language of the wilderness is the most beautiful language we have and it is our job to sing it, until and even after it is gone, no matter how much it hurts.”
“have spent most of my life outside, but for the last three years, I have been walking five miles a day, minimum, wherever I am, urban or rural, and can attest to the magnitude of the natural beauty that is left. Beauty worth seeing, worth singing, worth saving, whatever that word can mean now. There is beauty in a desert, even one that is expanding. There is beauty in the ocean, even one that is on the rise. And even if the jig is up, even if it is really game over, what better time to sing about the earth than when it is critically, even fatally wounded at our hands. Aren’t we more complex, more interesting, more multifaceted people if we do? What good has the hollow chuckle ever done anyone? Do we really keep ourselves from being hurt when we sneer instead of sob? If we pretend not to see the tenuous beauty that is still all around us, will it keep our hearts from breaking as we watch another mountain be clear-cut, as we watch North Dakota, as beautiful a state as there ever was, be poisoned for all time by hydraulic fracturing? If we abandon all hope right now, does that in some way protect us from some bigger pain later? If we never go for a walk in the beetle-killed forest, if we don’t take a swim in the algae-choked ocean, if we lock grandmother in a room for the last ten years of her life so we can practice and somehow accomplish the survival of her loss in advance, in what ways does it make our lives easier? In what ways does it impoverish us? We are all dying, and because of us, so is the earth. That’s the most terrible, the most painful in my entire repertoire of self-torturing thoughts. But it isn’t dead yet and neither are we. Are we going to drop the earth off at the vet, say goodbye at the door, and leave her to die in the hands of strangers? We can decide, even now, not to turn our backs on her in her illness. We can still decide not to let her die alone.”
“We call such a limited number of relationships love in our lives, but there is always love around us—it’s as ubiquitous as oxygen.”
“To the people in Creede I am intelligent, suspiciously sophisticated and elitist to the point of being absurd. To the people at UC Davis I am quaint, a little slow on the uptake and far too earnest to even believe.”
“I have always believed that if I pay strict attention while I am out in the physical world—and for me that often meant the natural world—the physical world will give me everything I need to tell my stories” (78). —Deep Creek: Finding Hope in the High Country”
“Could a person mourn and be joyful simultaneously? I understood it as the challenge of the twenty-first century. Maybe it was simply what being a grown up meant.”
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Book Keywords:
love, concrete-imagery, relationship, writing, climate-change, hope, environment































